Sri Dharbaranyeswara Swamy Temple, Thirunallar

Thirunallar the holy place of Lord Sani is located 5 kms from Karaikal under the jurisdiction of Pondicherry Union Territory. On reaching the temple that is ideally situated between Arasalaru and Vanchai rivers people can witness crowds of devotees from across the country and even different countries of the world. The road leading to the main gopuram is paved with shops and lodges on either side. The rajagopuram has 7 tiers, the second rajagopuram has 5 tiers and the third gopuram has three tiers, these gopurams are covered with beautiful sculptures. The entrance of the temple is guarded by two Dwara Balakars who have four hands each. At the end of the east street of the temple the statue of Saint Thirugnanasambandar’s is housed in a beautiful mandapam.  There are three holy corridors around the temple. These holy corridors are called Deva Praharams. There are a number of shrines for Gods and Goddess situated on these deva praharams.

There are also a number of mandapams in the temple. The first corridor houses the Sopana Mandapam. The Vidanga Thiagar Mandapam is situated near the sanctum on the southern side. There are also spacious mandapams known as Ardha Mandapam and Sabha Mandapam. The southern Mandapam is meant for Sabhanathar and Bhairavar. Near the enterance of the tower on the northern side there are two more mandapams called festival mandapam and mukti mandapam.

The Pacchai Padigam
It is unique glory of the Tirunallar temple that it possesses the Pacchai Padigam which occupies a pride of place in the history of the Hindu Saivite Tamil hymnal literature. This padigam extols the virtues of the Lord and begins with the opening line Bhogamartha Poon Mulayal a pecan to the consort of Lord Darbharanyeswara. And it is said to have stood and ordeal of fire and the event leading to it is of absorbing interest and is narrated below.
It took place in the 7th century A.D, in Madurai, the capital of the Pandya Kingdom, during the reign of the celebrated Koon Pandya, also called Ninraseernedumaran. It was the time when the Jains had spread their influence and far and wide, In the Pandya Kingdom. The king had become a convert to Jainism and actively promoted its growth in his kingdom. Long all but his queen Mangaiyarkarasi and his minister Kulacchirai Nayanar - both stunch Saivaits - had embraced Jainism, forsaking the old religion.This caused immense agony to the queen and the minister who were anxious to reclaim the king and the kingdom back to the traditional religion.

  • Pacchai - the ever gree; Padigam - decadal verse.
  • (Devi) with shapaly breasts adorned with jewels so pleasing to the Lord.
  • Histrians idendify Koon Pandya (the hunch-backed Pandya) with Arikesari Parankusa Maravarman.


Lord Saneeswara BaghawanTo these two grief stricken individuals came the good tidings of the camping of boy saint Tirugnana Sambandar at Vedaranyam. Having heard of the miracles performed by the Saivait saint young Sambandar in the Thanjavur district, they sent an urgent invitation to him to visit Madurai and extricate the king and his subjects from the clutches of the Jains. It would appear that while the queen's messengers found a ready response in the boy saint it was not easy where his "admirer and companion saint" Appar was concerned. In the words of Sekkizhar and thus spoke Appar, the king of Divine speech. Thouat but a stripling. There is no end to the deceits and treacheries of the Jains. There is one further objection. The planets stand baleful. So you shold not agree to go. Unto which the high-souled Sambandar repiled . "If what I think and praise constantly are the tinkling feer of our Lord, no harm will touch me". So saying the cheif of the Puhali town, Sambandar ever bound unto the rosy fragrant feet of God. Sang the PADIGAM begining with the Lord of Uma with bamboo - like shapely shoulders". The saint then be took himself to Madurai.

The arrival of the Saivate Saint roused the suspicion of the Jains who resorted to the heinous act of setting fire to his holy dwelling. But by his yogic powers, Sambandar had the heat transferred to the king which burut his person inexorably Lo! the king was wriggling like a warm unable to stand the pain, which the scorching heat that had taken hold of his person produced. Then the youthful saint sang the padigam 'Mandiramavadu Neeru' (the saered ash is the mandra etc.,) and sprinkled a few grains of the ash on the right side of the king's body. The Jains in their turn chanting the Aruga Mantra (Jain Mantra) stroked the left side of the King's person with peacock feathers, but it only aggravated the pain! Entreated by the king and his ministers, Sambandar applied a few more grains of the sacred ash on to his left side also. It was a wonder of wonders that the poor pandya monarch who a little while ago was the very picture of suffering, misery and distress was now smiling gaily and appeared wholly freed from the burning malady. Lo! the King was rid of his hump too! And at this moment, it may be said that the triumph of Saivism over Jainism was more than established in the Pandya capital and the unwanted religion just faded out ignominiously.
But the Jains were not as yet wiser by their abject defeat1. They arrogantly threw the challenge that both religionsts should write down their respective Mantras on a palm leaf and consign it to the flames and the one that survived the ordeal of the established its superiority over the other.

The King must have been impressed by the miraculous performance of Gnana Sambandar's treatment just with a pinch of sacred ash and he might also have been possibly distreesed at the collapse of the religion to which he was a votary, namely Jainism. It was at this juncture that the Jains threw the aforesaid challenge as they were convinced that the king was in two minds in the approach to the two respective religions. The Saint also wanted to convince him of the superiority of Saivism over the other. And so, he accepted the challenge and the Jains first threw their Mantra into the fire which became forthwith a prey to the flames! Sambandar them caused his Tirumurai to be brought there and pulled one leaf from the bundle and his leaf contained a verse of the forty - ninth Padigam of Tevaram entitled "Bhogamartha Poon Mulayal" which was sung carlier by the saint in the Darbaranyeswara shrine at Tirunallar. He consigned it to the flames. But his palm bearing leaf was not scorched by the fire. It maintained its evergreen freshness! Unconsumed by the fierce flames of the fire it remained absolutely unscatched and this miracle established. The glory of saivism which to this day is as Green as it was before it was subjected to the fire ordeal! Hence the appellation "Pacchai Padigam" was being applied to it.

Bhogamartha Poon Mulayal is also called by the name of Praneswari as she gave life (Prana) or rebirth to Saivism.

Related Posts

  • Sri Thallapaka Annamacharya, Thallapaka Sri Thallapaka Annamacharya, Thallapaka

    The 600th Annamacharya Jayanthi celebrations were completed in Rajampet on 22nd May 2008. The Chief Minister of Andhra Pradesh, Dr. Y.S. Rajasekhara Reddy unveiled the 108 feet statue of Sri Thallapaka Annamacharya located on Tirupati-Kadapa bypass road in Rajampet on May 22nd.

  • Krishna Pushkaram Ghats List Krishna Pushkaram Ghats List

    krishna pushkaram AP, Telangana Krishna Pushkara Ghats Places.

  • Instructions on how to write Raama Naamam or Likhita Japa Instructions on how to write Raama Naamam or Likhita Japa

    "Ra" is the agni beejam and "Ma" is the amrita beejam. "Ra" indicates the destroyer of ignorance in humans while "Ma" indicates the praana vaayu being nourished. Hence, the great composer, Thyagaraja Swami, a huge devotee of Lord Ram, often stressed on these beejams in his compositions.

  • Story Behind Sri Rama Navami Story Behind Sri Rama Navami

    Rama is the in-dweller in every body. He is the Source of Bliss (Atma-Rama) in every individual. His blessing, surging from that inner spring, confers peace and bliss. He is the very embodiment of Dharma, of all the codes of morality that hold mankind together in love and unity

  • significance ugadi / Gudipadawa significance ugadi / Gudipadawa

    The term Ugadi has its origin in the Sanskrit word Yugadi, that means starting of a new Yuga or period. This traditional festival is usually celebrated in the second half of March or in early April. People from all over Karnataka celebrate this festival with much enthusiasm and gaiety.The significance of Ugadi stems from mythological times when Lord Brahma, the creator of the universe, began a series of wonderful creations, including that of the earth and all the life forms that live in it. The festival of Ugadi is celebrated to acknowledge that very day on which Lord Brahma started with the task.

  • Mauni Amavasya Mauni Amavasya

    According to North Indian calendar, Mauni Amavasya comes in the Magha month and also known as Maghi Amavasya. This Amavasya is also known as Mauna Amavasya and Mauni Amavas

  • Shani Trayodashi Shani Trayodashi

    Shani Trayodashi is the Trayodashi which falls on a Saturday known as Shani Trayodasi, Shani Jayanti or Shani Pradosham. Shani Jayanti Festival Puja Vidhi, Vrat Katha, Mantra Japa and Yagna Puja

  • Masik Kalashtami Masik Kalashtami

    Kalashtami, which is also known as Kala Ashtami, is observed every month during Ashtami Tithi of Krishna Paksha. Devotees of Lord Bhairav keep fast and worship Him on all Kalashtami days in the year.

  • Kuja - Manglik - Mangal Dosha Effect and Remedies Kuja - Manglik - Mangal Dosha Effect and Remedies

    A simple survey shows that as many as 90% of the people in the Universe will be under the influence of Kuja Dosha. Every one of us, at one time or the other, will hear about Kuja. The word is more prominently heard when horoscopes of the bride and bridegroom are studied before their marriage.

  • Lord Ganesha Sankashti or Sankatahara Chaturthi Pooja Procedure And Dates In 2016 Lord Ganesha Sankashti or Sankatahara Chaturthi Pooja Procedure And Dates In 2016

    Sankashti Chaturthi or Ganesh Sankatahara Chaturti, is dedicated to Hindu God Ganesh. Sankashti Chaturthi January 2016 date is January 27, Wednesday and the Chandrodaya or Moon rise time is 8:57 PM (IST).

Latest Posts

  • Temples
  • Sacred Places
  • Articles
  • Pancha Sabhai Sthalams / Sthalangal
    Pancha Sabhai Sthalangal refers to the temples of Lord Nataraja, a form of Lord Shiva where he performed the Cosmic Dance. Panc..
  • Pancha Bhoota Stalas
    Pancha Bhoota Stalam or Pancha Bhoota Stala refers to the five Shiva temples, dedicated to Shiva, the most powerful Hindu god a..
  • 18 Shakti Peethas / Asta Dasa Shakti Peethas
    Astadasha Shakthi Peetas Lord Brahma performed a yagna to please Shakti and Shiva. Goddess Shakti emerged, separating from Shiv..
  • Navagaraha Sthala or Temple
    Navagraha Suriyan (Sun), Chandran (Moon), Chevvai (Mars), Budha (Mercury), Guru (jupiter), Sukra (Venus), Sani (Saturn), Rahu (..

Gallery

  • Siddeshwara Swamy Temple, Warangal
  • 10 Unique things you should do in Kolhapur
  • Sri Seetha Ramachandra Swamy Vaari Devasthanams, Bhadrachalam, Khammam, Telangana
  • Sri Brahmaramba Mallikarjuna Swamy Devasthanam, Srisailam, Kurnool, Andhra Pradesh
  • Maisigandi Maisamma Temple Kadthal,  Mahabubnagar, Telangana
  • Arulmigu Jambukeswarar Akhilandeswari Temple, Thiruvanaikaval, Trichy, Tamilnadu
  • Sri Lakshmi Tirupatamma Devasthanam, Penuganchiprolu, Andhra Pradesh
  • Sri Subrahmanyeswara Swamy Vari Devasthanam, Mopidevi, Andhra Pradesh
  • Sri Durga Malleswara Swamy Varla Devastanams, Vijayawada
  • Sree Bhadrakali Devasthanam, Warangal
  • Sri Lakshmi Ganapathy Temple, Biccavolu
  • Ashok Vatika
  • The Lords Own Country, Dwarka
  • Simhachalam Temple
  • Sree Padmanabhaswamy Temple